摘要
十九世纪浪漫主义时期的著名作家及批评家约翰·罗斯金在《现代画家》第二卷中提出"想象力"的概念,并对其进行了三种分类:联想性、洞察性以及沉思性。文章从认知生态视角研究联想性想象力、洞察性想象力以及沉思性想象力,再现罗斯金文艺批评理论的历时性魅力。
As one of the most prestigious writers and art critics in the Romantic Period of19th century,John Ruskin put forward in his Modern Painters II the concept of faculties of imagination and classified them into three categories:imaginative association,imagination penetrative and power of contemplation.This paper studies the three powers of imagination from the perspective of cognitive ecocriticism,aiming at revivifying the diachronic charm of Ruskin’s art and literature critical theories.
作者
操磊
迟秋雅
GAO Lei;CHI Qiu-ya(Wuxi Institute of Technology, Wuxi 214121;Jinling Institute of Technology, Nanjing 211169, China)
出处
《无锡商业职业技术学院学报》
2018年第6期109-112,共4页
Journal of Wuxi Vocational Institute of Commerce
基金
江苏高校哲学社会科学研究项目"劳伦斯作品中译本的伦理取向研究"(2016SJD750035)
关键词
认知
生态批评
罗斯金
想象力
cognition
ecocriticism
John Ruskin
imagination