摘要
纵观中华文化上下五千年,音乐自产生以来就根植于不同的社会伦理文化之中。成立于道光十五年的台南以成书院至今保存着传统的祭孔音乐《雅乐十三音》。"雅乐十三音"的演奏形式包括坐奏、立奏与行奏,它一方面适用于祭孔大典、文昌祠祭礼、恭送圣迹、妈祖遶境等活动场所,另一方面也可作为艺人陶冶情操的"俗乐",颇有浓郁的人文气息,是保护传统音乐文化的典型案例。
It can be noted music has been deep rooted in social ethical contexts since its birth by taking 5000-year Chinese culture into consideration.Founded in 1835,Yicheng Academy has kept the performance of the traditional music Ya-yue Shi-san-yin commemorating Confucius which includes sitting performance,standing performance and walking performance.It on one hand can be performed on the occasions of worshipping Confucius,Wen-chang Buddha,Ma-zu and other sacred events,and on the other hand,it can be adopted as the“secular music”for entertainers to cultivate their temperaments with strong humanistic flavor and thus it is regarded as a typical case to preserve the traditional musical culture.
作者
胡南
李敬民
HU Nan;LI Jing-min
出处
《贵州大学学报(艺术版)》
2018年第6期98-100,104,共4页
Journal of Guizhou University Art Edition
基金
中南大学创新创业项目"汉民族胡琴类乐器的分布规律研究"(项目编号:2018zzts090)