摘要
网络文学在中国已经走过20个年头。尽管取得了不小的发展,但中国网络文学也在一步步走向禁锢,总体上来看,远未实现人们的预期。某种意义上,目前成熟的网络文学作品大都可以视作通俗文学的现代搬演,这也最终使其身上的革命性潜能消失殆尽,而成为中国当代文学的心头之痛。然而,辩证地看待网络文学,也要注意到依托自媒体或一己网络空间的自文学之逐渐显影这一事实及其所预示的网络文学的最终可能。一定程度上,可以将自文学视为中国网络文学最普遍也是最后的力量之源。
Network literature has gone through20years in China.Although it has made great progress,Chinese network literature is also moving towards the imprisonment step by step.On the whole,it is far from fulfilling people s expectations.In a sense,most of the current mature network literature works can be regarded as the modern rehearsal of popular literature,which ultimately makes its revolutionary potential disappear,and become the pain in the heart of Chinese contemporary literature.However,dialectically looking at network literature,we should also pay attention to the gradual development of self-literature relying on We-media or one's own cyberspace,and the ultimate possibility of network literature predicted by this fact.To a certain extent,self-literature can be regarded as the most common and final source of strength of Chinese network literature.
作者
龚自强
GONG Ziqiang(Chinese Academy of Arts, Beijing 100029, China)
出处
《湖南工业大学学报(社会科学版)》
2018年第5期24-28,共5页
Journal of Hunan University of Technology(Social Science Edition)
关键词
网络文学
通俗文学
革命性的消解
自文学
network literature
popular literature
revolutionary elimination
self-literature