论贾樟柯视野中现代化对乡土符号的冲击

On the Impact of Mordernization on the Local Symbols in Jia Zhangke's Vision

贾樟柯作为第六代导演的代表人物,通过拍摄个体在现代化进程中的生活状态,再现现代化对乡土符号产生的冲击。传统中国注重乡土、土地,但是伴随现代化和城市化进程,人的迁徙活动频繁,自古以来"生于斯,长于斯,死于斯"的传统被打破,同时打破了人相对单一的生活状态,进而冲击了原有的乡土价值观。贾樟柯在电影中充分运用长镜头描述人在城市中生活的细节,并且拼接多种叙事媒介勾画人的心理变化。贾樟柯丰富的镜头语言和叙事方式也增添了电影的内涵,使电影对社会现状的描画更具研究意义。

As the representative of the6th generation director,Jia Zhangke filmed the living conditions of individuals who live in the process of Modernization,by which reproduces the impact of modernization on the local symbols.Traditional China pays attention to"local"and"land",but with the process of modernization and urbanization,people's migration activities are more frequent,which broke the tradition of"born here,grow here,die here from ancient times".Meanwhile,it also changes the relatively single living state of people,and then impacts their local values.Jia Zhangke use the long lens to describe the details of people's life in the modern city,and sketch the psychological changes of people by multimedia narration.Jia Zhangke's diversiform lens language and narrative style also increase the connotation of the films,which makes the research of the films more significance to the social present situation.