摘要
本文对学界几成定论的徽宗御押"天下一人"或者"天水"的析读提出了批评,并立足政治视野,从宋帝御押的功能、宋代政治形势、徽宗一朝的政治活动,乃至徽宗个人价值取向、御押书写结构等方面,对徽宗御押进行分析解读,提出徽宗御押应析读"一天下、开太平"的观点。
This paper criticizes Huizong’s imperial autograph of“one man under heaven”or“Tianshui”which has become a common practice in academic circles,and from the political perspective,analyzes the meaning of Huizong’s imperial autograph comprehensively from the function of the imperial autograph of the Song Dynasty,the political situation of the Song Dynasty,the political activities of the Huizong Dynasty,and even Hui Zong’s personal value orientation and the writing structure of the imperial autograph,The emblem should be“unify the world,Create Taiping”.
出处
《艺术设计研究》
CSSCI
2018年第4期115-120,共6页
Art & Design Research
关键词
宋徽宗
御押
一天下
政治
艺术
Song Huizong
Imperial autograph
Unify the world
Politics
Art