论八大山人用笔形式的狂欢化

On carnivalism in pen use in Badashanren's paintings

八大山人在用笔形式上颇具狂欢意味。其狂欢主要体现为无内容的形式狂欢,绘画元素的趣味组合,无法而有法的高雅追求。首先从内容上分析八大山人绘画主题的随机性,再从绘画形式上解读八大山人对画面的高超把控,最后从内容与形式有机结合的角度体会八大山人作品的狂欢意味。八大山人这种用笔的狂欢对当今花鸟突破题材的集中性甚有启迪。

Badashanren's paintings have the carnivalism feature as far as the pen use is concerned.Its carnivalism is mainly embodied in the form of contentless camivalization,interesting combination of painting elements,and the seemly disordered but internally well organized elegance.The paper firstly analyzes the randomness of the theme in Badashanren's paintings from the content,and then interprets the superb control of Badashanren*s paintings from the form.Finally,it demonstrates the carnival significance of Badashanren's paintings from the organic combination of content and form.The carnivalism in pen use in Badashanren's paintings is very inspiring in breaking through the constraint of contemporary flower and bird theme.