摘要
运用女性主义文学批评理论对《十日谈》中的女性形象进行分析,难以跨越时代和性别两大鸿沟。立足文本分析,"爱情"和"智慧"是薄伽丘在《十日谈》中着力展现的两大主题,以此为线索,按照"起、承、转、合"的叙事脉络,可总结出四种以女性为主角的故事发展模式。在此基础上,进一步考察女性正负面角色如何划分、女性角色的结局由何种要素决定等问题,并结合时代背景和思想史发展脉络,探索出薄伽丘在《十日谈》中传递了怎样的女性观。
With the birth and development of feminist literary criticism theory,many scholars have used interdisciplinary methods to analyze the female figures in the Decameron.In this article,the author tries to use a more traditional philological way to analyze all the stories with female protagonists in the Decameron.Then with“love”and“wisdom”as the key words,she comes up with four kinds of narrative structures of the stories in order to further analyzes how the positive and negative roles of women are divided and what elements determine the ending of female figures,and finally concludes how Boccaccio sees women in the Decameron.
作者
马晓路
MA Xiaolu(Department of European Languages and Cultures,Beijing Foreign Studies University,Beijing 100089,China)
出处
《东莞理工学院学报》
2018年第6期29-35,共7页
Journal of Dongguan University of Technology
关键词
薄伽丘
《十日谈》
叙事结构
女性形象
Giovanni Boccaccio
Decameron
narrative structure
female figures
