后革命氛围中《江南三部曲》的革命历史再叙事

Re-narration of the Revolutionary History of the Jiangnan Trilogy in the Post-Revolutionary Atmosphere

《江南三部曲》是格非沉寂多年之后转向现实写作的重要代表作,众多学者从乌托邦、知识分子写作等维度研究其思想内蕴,但大多忽视了其在后革命视域下隐含意义的探询。《江南三部曲》对传统革命历史叙事——古代中国知识分子对理想社会的向往以及红色经典革命叙事中对革命乌托邦想象的再叙说,理应得到更广阔的解读空间。本文着意在历史纵深处挖掘历史遗存,在后革命视域下对照传统文化视角,通过对《江南三部曲》中革命理想在革命初、革命高潮期和革命"第二天",经由知识分子的奋斗而遭遇的不同命运的解读,反思欲望与乌托邦理想的冲突、集体理想与个人话语的相背以及乌托邦所具有的人文价值意义,进而探讨这种革命话语叙述对传统革命历史话语的多角度补充。

Jiangnan Trilogy is Ge Fei’s important masterpiece of transforming to the real writing after years of silence.Many scholars have studied the connotation of their thoughts from the aspects of utopia and intellectual writing,but most of them have ignored the inquiry of its implication from the post-revolution perspective.Jiangnan Trilogy’s narration of the traditional revolutionary history-the longing of ancient Chinese intellectuals for an ideal society and the re-narration of the utopian imagination of revolution in the red classic revolutionary narration,deserves a broader space of interpretation.This paper aims to explore the historical remains in the depth of history,comparing the perspective of traditional culture from the perspective of post-revolution,interpreting the revolutionary ideals in Jiangnan Trilogy by the intellectuals who struggle with different fates at the beginning,the climax and“the second day”of the revolution,reflecting the conflict between reflective desire and utopian ideal,the contradiction between collective ideal and individual discourse and the humanistic value of utopia,and further exploring the multi-angle complementarity of the revolutionary discourse narrative to the traditional revolutionary historical discourse.