从“传移模写到全息摹复”的壁画保护——以内蒙古和林格尔东汉壁画墓的摹复实践为田野个案

The Mural conservation from “transmitting the ancient to holographictracing” using the tracing practice of Helingeer mural tomb in Eastern Han Dynasty in Inner Mongolia as case

2018年6月中旬至9月中旬,笔者参加2018年国家艺术基金中国古代壁画摹复系统技法人才培训项目的学习,通过理论讲授与内蒙古林格尔东汉壁画墓的临摹实践,进一步理解了"全息摹复系统"的艺术考古的田野实践工作。全息摹复是对古代壁画非本体保护的一种全新理念与技术手段,不同于传统临摹的"传移模写",将现代"文保"中古代壁画的保护理念与艺术研究的图像学等方法结合,从壁画的壁面结构、历史年代、病害分析、图像解读等多方面分析,由此而形成了综合性摹复方法,将古代壁画做到"全信息"的摹复保护。本文就是以内蒙古和林格尔东汉壁画墓的摹复实践过程为田野个案,记录并总结了相关的技术还原过程,并初步分析阐述了由此引发的有关艺术考古的思考。

Mid-June to September2018participate in the study of the 2018 National Art Foundation Chinese Ancient Mural Rehabilitation System Skills Talent Training Program,understand"olographic tracing system"through theory and the tracing practice of Helingeer mural tomb in Eastern Han Dynasty in Inner Mongolia.Holographic tracing is a brand new idea and technical method to protect non-inlogy ancient mural.Different from traditional"ransmitting the ancient"combining the protection concept of ancient murals in the protection of cultural relics with the methods of imagery in the study of art history,from the wall structure of murals,disease analysis,image interpretation and other aspects of analysis and research,form a comprehensive method of complex tracing method to trace and conserve ancient murals to"all information"The paper record the tracing and parctice process of Helingeer mural tomb in Eastern Han Dynasty and put forward some questions.