民国前期(1912—1937)文学期刊的封面设计者群体略述

Outline the group of cover designers for literary journals in the early Republic of China(1912-1937)

民国前期文学期刊的蓬勃发展,对中国文学实现由古典形态向新文学形态的革命性转化起到了举足轻重的作用。期刊封面作为整体装帧设计中醒目而关键的组成部分之一,向来被视为引起读者注意、关乎期刊兴衰的寸金之地。出于时代原因,民国前期的艺术设计尚未完全独立,作家、画家以及学者、出版编辑人员介入装帧设计成为这一时期文学期刊发展的一大特色。他们各自从不同的角度进一步丰富了期刊封面的设计语言,给出版业注入了新的活力和新的思想,并有效地提升了书刊的文化品位,具有极其深远的社会意义。

The vigorous development of literary journals in the early Republic of China plays an important role in the revolutionary transformation of Chinese literature from classical form to new literary form.As one of the striking and key components of the design,the cover has always been seen as drawing attention and critical to the flourish of the journals.For the sake of time,the art design in the early Republic of China has not been completely independent,then writers,painters,scholars and publishing editors involving in the cover design has become a major feature of the development of literary journals in this period.They further enriched the design language of the covers from different perspectives which brings new energy and ideas to the publishing industry.It has also effectively promoted the cultural taste of Publications and has extremely profound social significance.