地域文化影响下的民国时期潮汕地区中国画

Chinese Painting of Chaoshan area in the Republic China Period under the Influence of Regional Culture

国画界、理论界提及广东画坛,多以岭南画派概之。潮汕地区偏安一隅,民国时期由于社会历史等因素,受到上海为中心的江南文化的巨大影响,在经济和文化方面联系密切。尽管地域文化影响下的潮汕地区中国画继承传统画风,并与以上海为中心的海派绘画无论是师承关系、还是画家之间的往来都十分紧密,在创作技法和绘画风格上也有很多相同及相似之处,但"一方水土养一方民",民国时期潮汕地区中国画仍具有独特的地域文化和鲜明的艺术特色。

Guangdong paintings are usually referred to as Lingnan paintings with no regard to the characteristics of Chinese painting in Chaoshan area during the Republic of China.With the regional-culture impact, Chinese painting in Chaoshan inherits the traditional style of painting, and is closely related to the painting of Shanghai school centered on Shanghai, in the mentor-disciple relationship and the interaction between painters. Additionally, there are something in common and many similarities in the creation techniques and painting styles between them. Meanwhile, through the continuous in-depth study of scholars,it is found that the Chinese painting in Chaoshan area of the republic period of China has distinguished regional cultural characteristics and significantly different styles from that of Lingnan.