摘要
王小帅的电影风格一向颇具思想者气质和"作者电影"特点,这归结于这一群体导演都是欧洲艺术电影的崇拜者,执着现代主义式的美学趣味。王小帅对电影中"边缘人"形象的刻画,集中符号化人物的精神表情与状态,具体表现为:情绪的宣泄、个体的反叛及人的强烈自尊。在王小帅的影片中,那些处在主流群体之外人群的生活与精神信仰有着相似乃至共同的意识。
Wang Xiaoshuai’s film is featured by "thinker" temperament and "author movie",which can be attributed to the fact that this group of directors are admirers of European art films and are obsessed with the aesthetic taste of modernism. Wang xiaoshuai’s depiction of the marginal people in the film focuses on the spiritual expression and state of symbolized characters,which are expressed concretely by emotional vent, individual rebellion and strong self-esteem. In his film, those who are outside the mainstream of the crowd share similar and even common awareness of life and spiritual beliefs.
作者
罗娜
LUO Na(Meizhou Normal College of Jiaying University,Meizhou,Guangdong,514721,China)
出处
《闽西职业技术学院学报》
2018年第4期90-93,共4页
Journal of Minxi Vocational and Technical College
基金
嘉应学院2016年度科研人文社科类项目"中国第六代导演影片的影像符号化阐释(课题编号:2016SKY04)"
关键词
王小帅
影片
“边缘人”
精神符号
Wang Xiaoshuai
film
marginal people
spiritual symbol