玄、释思想与唐诗意境艺术的建构

Metaphysical and Aesthetic Thinking and the Construction of Artistic Conception in Tang Poetry

魏晋南北朝时期的玄学催生了情景交融的山水田园诗,充实了意境理论,推动了尚风韵的审美风尚的发展。唐人引唯识宗"心识论"入诗,从而完成了意境艺术的建构,并以高水平的作品践行了意境理论。唐代意境艺术的形成标志着儒释道三教的审美理想经过斗争、调和,最终和谐地融为一个理想的艺术范畴。宋元明清以降是意境艺术的体认期,其中南宋严羽、清代王士祯对唐诗意境艺术进行了平面化的体认。

Metaphysics in the Wei,Jin,Southern and Northern Dynasties gave birth to landscape pastoral poetry,enriched the theory of artistic conception,and promoted the development of aesthetic style.The Tang Dynasty quoted the Consciousness of Mind from the Consciousness Sect,thus completing the construction of artistic conception,and practicing the theory of artistic conception with high-level works.The formation of artistic conception in the Tang Dynasty symbolized that the aesthetic ideal of Confucianism,Buddhism and Taoism had been struggled and reconciled and finally harmoniously merged into an ideal artistic category.Since the Song,Yuan,Ming and Qing Dynasties,the artistic conception art of Tang poetry was recognized in a planar way by Yan Yu of the Southern Song Dynasty and Wang Shizhen of the Ming Dynasty.