城市记忆:上海话剧中的上海、香港、台北的互动仪式——《长恨歌》《倾城之恋》《金大班的最后一夜》的互文

City Memories: The Interactions between Shanghai, Hongkong, and Taipei in Shanghai Plays

城市记忆是一种空间的记忆,也是一种社会记忆或者说文化记忆。本文选取王安忆的关于上海的《长恨歌》,张爱玲关于上海、香港的《倾城之恋》,白先勇关于上海、台北的《金大班的最后一夜》等,构成了"仪式的一致性"(互动仪式)和"文本的一致性"(互文),从互动仪式和互文的角度,分城市:小说改编成话剧、回忆:女性与男性的书写、仪式:历史与时代的逃离三个方面来阐释。它让人们进入怀旧和记忆之中,表明了人生的况味,引起对于历史的思考,重新发现了这些文本的价值,在这些文本的"文本间性",在上海、香港和台北的"城市空间"之间,形成了一种"互文"和"互动的仪式"。

City memories are spatial or social/cultural memories. This paper explores Wang An-yi’s The Song of Everlasting Sorrow, Zhang Ai-ling’s Love in a Fallen City, BAI Xian-yong’s The Last Night of Madam Chin, to discuss the consistency of rituals--interactive rituals, and the consistency of the text--intertextuality. It looks into them from three aspects: cities in plays adapted from novels, memories written by men and women, and escapes due to historical and social factors. It reveals that there are intertextuality and interactive rituals between the urban spaces of Shanghai, Hongkong, and Taipei in those texts.