“同宗分流”——广州灰塑与山东鄄城砖塑艺术比较的四个维度

Same Root, Different Branches: Four Dimensions of the Comparison between Guangzhou Limestone Sculpture and Shandong Juancheng Stone Sculpture

广州灰塑和山东鄄城砖塑堪称我国南北方民间传统建筑装饰艺术的两大重要典型,造型精妙、工艺精湛、文化内涵浓郁、地域特色鲜明。本文以"环境决定论"为观照域,以田野材料为基础,基于民间传统造物艺术功能的"同宗性"与具体造型系统的"非同宗性"展开工艺技法、造型样式、艺术风格、造物思想四个维度的比较,从中揭示不同环境下两地民间传统建筑装饰艺术生成、发展的外部生态与内在机理。

Guangzhou limestone sculpture and Shandong Juancheng stone sculpture are the emblems of Chinese traditional folk architecture decorations, with ingenious modelling, superb craftsmanship, rich cultural meaning and local color. Starting from environmental determinism and based on field studies, this article compares the two sculptures in four dimensions, namely technique, modelling, style and philosophy, to reveal the different external environment and internal mechanism of Chinese traditional folk architecture decorations in different regions.Chinese traditional crafts shared the same roots, yet have developed different branches in styling.