摘要
Challenging preconceptions about'classical'theory and the nature of realist represen tation,and in the process demonstrating how this body of work can beseen as a cohesive theoretical model,this invaluable collection will help return the realist paradigm of film theory to the forefront of academic enquiry.
出处
《文化艺术研究》
CSSCI
2018年第4期182-182,共1页
Studies in Culture and Art
