摘要
布拉格学派和马克思主义的论争是20世纪西方美学史的重要事件之一。论争的根本原因是政治理念的冲突。马克思主义者的鞭策固然对布拉格学派有所影响,但并没有从根本上改变他们。布拉格学派仍从其自律论的立场阐释了他们的审美理想,即通过母语教育,要求个体达成审美自觉。这也意味着布拉格学派要求民族国家的公民认知、理解本民族的语言和艺术传统,此二者正是民族国家的自然基础。这也是艺术自律论的目的。
In the 20th century,the debate between the Prague School and Marxism is one of the most important in the history of Western aesthetics.The root cause of this debate is the conflict of their political concepts.The critique from Marxists had some impact on the Prague school,but did not really change them.The Prague School still interpreted their aesthetic ideal from the point of the autonomy of art,that is,they asked people to realize aesthetic autonomy by mother-tongue education.It also means that the Prague School asked the citizens of a nation-state to recognize and understand their own language and artistic tradition,which are the natural foundation of a nation-state as well as the goal of the theory of the autonomy of art.
作者
杨磊
YANG Lei(Kunming University of Science and Technology,Kunming 650050,China)
出处
《云南大学学报(社会科学版)》
北大核心
2019年第1期91-97,共7页
The Journal of Yunnan University:Social Sciences Edition
基金
国家社科基金重大项目"现代斯拉夫文论经典汉译与大家名说研究"(项目编号:17ZDA282)子课题"<穆卡若夫斯基论文学>汉译与穆卡若夫斯基文论轴心学说研究以及数据库建设"
教育部人文社科项目"布拉格学派美学理论重估研究"(项目编号:16XJC751007)的阶段性研究成果
关键词
布拉格学派
马克思主义
母语教育
艺术自律论
审美自觉
Prague School
Marxism
mother-tongue teaching
theory of the autonomy of art
aesthetic autonomy