摘要
文章通过对比分析传统珠绣与现代珠绣的表现形式,总结归纳珠绣在视觉、触觉、听觉方面的独特性,指出其立体多维的空间形式是当代珠绣发展的重要趋向。并以案例分析解读的方式,从材料配伍、图纹造型及工艺方法三方面入手,重点论述基于技术进步及观念更新所产生的当代珠绣设计构成特征。从其背后的价值分析来看,当代珠绣市场应用越来越广泛,装饰形式变化多样。珠绣在与面料、服装之间的相互关系中发展演变,从侧面体现了工业技术与艺术的融合趋势,集中反映了当代文化交融并存的价值取向。
By comparing and analyzing manifestation pattern of traditional bead embroidery and modern embroidery,the article concludes the peculiarity of bead embroidery in visual,auditory,and tactile aspects,and points out the multi-dimensional space form is an important development trend of contemporary bead embroidery.The cases are given to explore design and composition features of contemporary bead embroidery based on technical progress and concept renewal from three aspects:material collocation,pattern design and technology.Seeing from value analysis,the application of modern bead embroidery market seems to be more and more extensive,and decoration forms vary.Bead embroidery develops in the mutual relation between the fabric and clothing,which reflects the trend of the integration between the industrial technology and the art,and also expresses value orientation of contemporary culture integration and coexistence.
作者
丰蔚
FENG Wei(School of Design,Beijing Vocational College of Electronic Science and Technology,Beijing 100176,China)
出处
《丝绸》
CAS
CSCD
北大核心
2019年第1期73-79,共7页
Journal of Silk
基金
北京市教育委员会社科计划一般项目(SM201910858002)
北京电子科技职业学院校级重点课题项目(YZR2016012)
关键词
服装材料
珠绣
装饰元素
服装设计
传统工艺
clothing materials
bead embroidery
decoration element
fashion design
traditional craft