摘要
曲牌【驻马听】在北宋曾为词牌,总体情绪悲凉凄冷。戏曲使用此曲牌目前始见于南戏《张协状元》,用于激烈讨论场景。后来,【驻马听】作为元杂剧常用曲牌,声情仍以苍凉哀怨为主。到了明代以后,随着该曲牌应用日渐广泛,部分作家开始不再用此牌填制哀伤之曲,尤其在南曲中,【驻马听】的情感旨向呈现多样化特色,可用于抒写多种不同情感。此外,在同一朝代中,【驻马听】在散曲中的声情变化明显比剧曲中更加灵活,题材也更为广泛。
The song"Zhumating"was used as a tune in the Northern Song Dynasty.The overall mood is sad and cold.The use of this song in the opera is currently seen in the South Opera"Champion ZhangXie”for intense discussion of the scene.Later,"Zhumating"was used as a common tune for the Yuan Zaju,and the voice was still dominated by bleak and sorrowful.After the Ming Dynasty,with the increasing use of the tune,some writers began to use this card to fill in the song of sadness,especially in South drama,the emotional intention of“Zhumating”is diversified and can be used to write more different emotions.In addition,in the same dynasty,the changes in the voice of“Zhumating”in the Sanqu are obviously more flexible than the drama,and the subject matter is more extensive.
作者
赵天骄
Zhao Tianjiao(Wenzhou University,Wenzhou,Zhejiang 325035)
出处
《新疆艺术学院学报》
2018年第4期54-64,共11页
Journal of Xinjiang Arts University
基金
国家社科基金重大项目<南戏文献全编>整理与研究(13&ZD114)阶段性成果