论李龙云与老舍的作者意识——以《小井胡同》与《茶馆》为例

On the Author Consciousness of Li Longyun and Lao She——Taking "Xiaojing Hutong" and "Tea House" as Examples

李龙云作为中国新时期话剧不容忽视的剧作者之一,在不同时期都抒发着强烈的个人意志——一种想要记录时代与改变现状的知识分子情怀。他沿袭并追随了老舍先生的戏剧理念与美学追求,但从作品的本身来看仍然存在一定差距。这既是由他的成长环境和个人经验决定的,也是他作者意识中难以逾越的困境。本文通过对李龙云早期话剧作品《小井胡同》与老舍《茶馆》的主题表达比较分析,试图从中总结出李龙云戏剧创作的得与失。

As one of the playwrights that can't be ignored in China's new period of drama,Li Longyun has expressed a strong personal will in different periods-a kind of intellectual feelings that want to record the times and change the status quo.He consciously followed Mr.Lao She's dramatic ideas and aesthetic pursuits,but there is still a certain gap from the perspective of the works themselves.This is determined by his growing environment and personal experience,and is also an insurmountable dilemma in his author's consciousness.This paper compares and analyzes the theme expressions of Li Longyun's early dramas"Xiaojing Hutong"and Laoshe's"Tea House",trying to summarize the gains and losses of Li Longyun's drama creation.