摘要
文章分析了伯恩哈德的剧作《英雄广场》以叙述者的叙述和议论刻划主人公形象的叙事化特征,以及这一人物立体、丰富的内涵和引述、片断化、音乐手法的运用等表现形式,认为上述现象的产生不仅反映了现代西方戏剧普遍具有的叙事化倾向——它使戏剧人物刻划获得了小说人物刻划的广度和深度,而且也与作者的创作原则和方法,其作为后现代剧作家对传统戏剧结构形式的破坏、解构及其艺术上的大胆创新密切相关。从接受效果来看,上述人物形象刻划一方面可削弱观众的感情共鸣,引导其进行思考并给予其更多再创造的空间;另一方面也可使其在听觉上获得音乐美感的享受和愉悦。
This article analyzes the narrative features of protagonist image and the abundant three-dimensional connotation as well as expressions,quotation,fragmentation,and usage of musical techniques in Bernhard’s drama Heroes’ Square,portrayed in the narrative and argumentative perspective of a narrator.This article believes that the emergence of above phenomena not only reflects the tendency of narration that is the ordinary feature of the modern Western drama,including the breadth and depth of the characters depicted in drama,but it is also closely related with the creative principles and methods as well as the destruction and deconstruction of the traditional dramatic structural form and the bold artistic innovation of the author as a postmodern playwright.As to the reception effect,the above character image portrayal on one hand,may weaken and deter the empathy of audiences,guide them to think and give them more space for re-creation,and on the other hand,can also give the audience an audial musical sense of enjoyment and pleasure.
作者
谢芳
XIE Fang(German Department, Wuhan University, Wuhan 430072, China)
出处
《同济大学学报(社会科学版)》
CSSCI
北大核心
2018年第6期2-9,共8页
Journal of Tongji University:Social Science Edition