宋代海棠审美意蕴的提升——苏轼咏海棠诗的新变及其文学意义

The Improvement of the Aesthetic Implication of Begonia in the Song Dynasty——Su Shi's New Changes in Haitang Poetryand Its Literary Significance

从唐代开始,海棠作为审美对象即出现于诗歌中。然而纵观咏海棠诗的发展历程,实际上自苏轼后海棠诗的吟咏才得以引起文人更高的兴趣与更多的关注,苏轼从形貌和品格层面使海棠的审美意蕴得到从外而内的全方位提升,也提高了海棠的文学地位,促进了咏海棠诗的大量涌现。苏轼传承晚唐尽海棠之态的写意风格,朝更精深广阔的空间去发挥,将海棠的命运与自己的命运结合起来,使海棠的品格得以提升,并对苏轼之后的宋代诗人的海棠吟咏产生深远影响。

Since the Tang Dynasty, begonia has appeared in poetry as an aesthetic object. However, throughout the development process of begonia poems, since Su Shi praised begonia in his poem, begonia poetry has attracted more interest and attention from the Literature. From the aspect of appearance and character, Su Shi made the aesthetic implication of begonia from all aspects, and improved the literary status of begonia, and promoted a large number of poems to praise begonia. Su Shi combined the fate of begonia with his own destiny, which improved the character of begonia and had a profound influence on later Song Dynasty poets.