展示与对话——中国当代文论发展的另一种选择

Display and Dialogue:Another option for the development of contemporary Chinese literary theory

"五四"以来,以诗文评为体系的中国传统文论基本退出了文本阐释的场域。西方话语的大面积空降,在推进中国文论建设的同时,日益影响着中国文论的自主创新式发展,消解着可能的学理话语的分享式革新。中国传统文论的当代失语是时代发展和中西互通背景下的使然现象,但如果我们一味地执着于西方话语,沉迷于"普世"的理论,带来的将是比民族话语失声更严重的精神殖民。为此,我们需要积极有效地"展示"自身的传统文化精华,倡导中西方文化间进行平等和谐的"对话",建构独具中国特色的美学话语与文论体系。

Since the May 4 th Movement,the traditional Chinese literary theory,based on poetry criticism,has withdrawn from the field of text interpretation. While promoting the construction of Chinese literary theory,the large-scale airdropping of western discourse has increasingly hindered the independent and innovative development of Chinese literary theory and dissolved the possible sharing innovation of academic discourse. The contemporary aphasia of Chinese traditional literary theory is an inevitable phenomenon under the background of the development of the times and the intercommunication between China and the West. However,if we are obsessed with the western discourse and indulge in the"universal"theory,it will bring about a more serious spiritual colonization than the aphasia of national discourse. Therefore,we need to actively and effectively display the essence of our own traditional culture,advocate an equal and harmonious dialogue between China and the West,and eventually establish a system of aesthetic discourse and literary theory with Chinese characteristics.