台湾“后新电影”与“新电影”运动互文性关系探析

A Study of Intertextuality Relationship Between Taiwan "Post-new Film" and "New-Film" Movement

新世纪初,台湾"后新电影"浪潮的崛起,不仅重新点燃了台湾影业的复兴之火,而且也极大激发了大陆、香港新生代导演美学观念革新的步伐。新世纪的台湾"后新电影"与二十世纪八十年代的台湾"新电影"运动呈现出相互指涉的互文性关系。笔者认为,台湾"后新电影"运动以"原画复现"的形式映现出"新电影"的艺术探索印痕,并以新生代的成长叙事表征着"新电影"的文化内蕴。台湾"后新电影"导演深受"新电影"导演创作观念的影响,体现为魏德圣、戴立忍、钮承泽、陈怀恩等导演对"新电影"核心导演创作经验的承续。台湾"后新电影"的"太超过世代"意义,体现为新生代导演在承续"新电影"经验基础上,实现了对"新电影"美学的整体超越。本文通过梳理三十年间台湾"新电影""后新电影"运动传承与流变的历史脉络,深入探析台湾"后新电影"与"新电影"运动美学经验的同异,以期为当代台湾艺术电影研究视野的拓展及当下"中国电影学派"的理论构建提供成果的参照。

At the beginning of the new century,the upsurge of Taiwan"Post-new Films"not only rekindled the prosper of Taiwan film industry,but also greatly gave impetus to the innovation of aesthetic concept of directors from China's Mainland and Hong Kong.The New Century Taiwan"Post-New Films"presents the inter-referring intertextuality relationship between the Taiwan"New Films"movement in the 1980s.In author′s opinion,Taiwan"Post-New Films"movement cast light upon the prints of art exploring of"New Films"movement by means of"Original Painting Reproduction"and expressed cultural connotation of the"New Films"movement by telling Cainozoic individual growth.Directors of Taiwan"Post-New Films"were affected by creative perception of Taiwan"New Films"directors profoundly,which mainly shown in the inheritance of practical experience from core directors of"New Films"movement and exerted by Wei Te-Sheng,Leon Dai,Doze Niu,Whai-En Chen.Based on the inheriting experience of"New Films",the whole transcendence of"New Films"aesthetics by the new-generation directors became the"transcend-generation"meaning of Taiwan"Post-new Films."Through the sorting of historical context in the inheritance and variation process of"Taiwan New Film"and"Post-New Films"movement in the 30 years,the text deeply probes the similarities and differences into aesthetic experience of Taiwan"Post-new Films"and"New Films"movement,then traces internal factors of the historical change of Taiwan"Post-new Films"and"New Films"movement in depth,in order to provide the reference to the perspective of Taiwan Art Film research and"Chinese Film School"theory construction.