诗画之桥——哈特·克兰《桥》中的“艺格符换”

A Bridge of Poetry and Painting:Ekphrasis in Hart Crane's The Bridge

美国学者赫弗南在《语词博物馆:从荷马到阿什伯里的"艺格符换"诗学》中以布鲁克林大桥本身并不再现客观物象为由,将美国现代派诗人哈特·克兰的长诗《桥》排除在"艺格符换"诗之外,此后学界少有文章考察该诗作的"艺格符换"元素。《桥》的主体意象布鲁克林大桥虽然并不再现其他事物,但诗歌本身所展现出来的"艺格符换"元素仍然值得探究。从视觉艺术向听觉艺术的转换与时间艺术向空间艺术的转换两个方面探讨该诗作中的"艺格符换"。

In Museum of Words, James Heffernan excludes Hart Crane’s long poem The Bridge as an ekphrastic poem for the Brooklyn Bridge is not created to represent any other objective image, as a result, the poem’s ekphrasis studies are neglected.Nevertheless, as the central image of the poem, although the Brooklyn Bridge does not exist as any visual representation, ekphrasis unfolded by the text itself is yet to be further explored. This paper aims to analyse the ekphrasis of the poem by probing into the inter-art relationships between visual art and audio art, and the art of time and the art of space within the text.