摘要
余行玉在其三卷本长篇小说《恶姑塘》中,将目光和笔触聚焦于南方咒山恶姑塘这一方相对封闭的空间以及20世纪40年代末期至建国后三四十年时间段,以多维的创作视角和深层的审美把握,演绎了特定时空的坝塘风云,使小说成为一部思想艺术内涵较为丰厚的现实主义力作。
In his novel E Gu Tang which consists of three volumes,Yu Xingyu focuses his eyes and strokes on the relatively closed space of South China-Zhou Mountain E Gu Tang,and the specific period from the late 1940 s to thirty or forty years after the foundation of PRC,with multi-dimensional perspectives of creation and deep aesthetic grasp,reveals the Batang winds of specific time and space. Thus the novel becomes a realistic masterpiece with rich and unique ideological and artistic connotations.
作者
曾宪章
ZENG Xian-zhang(Hubei Polytechnic Institute,Xiaogan,Hubei 432000,China)
出处
《湖北职业技术学院学报》
2018年第4期53-56,共4页
Journal of Hubei Polytechnic Institute