摘要
战国时期,南北文明碰撞交融、诸子思想百花齐放,处于特殊地理位置的楚国对中原文明与蛮夷文明采取兼收并蓄的态度,呈现在楚漆器上的造物思想就是中原文明与蛮夷文明的和谐交融、人与自然的和谐共生以及"因材择用""因用制型"的实用主义。
The Spring and Autumn Period and the Warring States Period were a period of great integration of cultures,and the accompanying collision and integration of the northern and southern civilizations together with the prosperity of various schools of thought brought the development of lacquerware to its first peak. Chu Kingdom which was specially located turned out to be extremely tolerant to both of the civilizations in the central plains and the barbarians. Hence the manufacturing thoughts during the period were typically marked as harmonious integration of the two civilizations,the harmonious co-existence of man and nature and the pragmatism of the appropriate use according to materials and the proper category according to use.
作者
胡雨潼
HU Yu-tong(Mechanical School, Yangtze University, Jingzhou, Hubei 434032, China)
出处
《湖北职业技术学院学报》
2018年第4期70-74,共5页
Journal of Hubei Polytechnic Institute
关键词
漆器
楚文化
传统造物
lacquerware
Chu culture
traditional creation