叙事边界与历史语境——民国主题影视化的三重景深

Narrative Boundary and Historical Context——Ternary Depths of Fields in the Film and Television of the Republic of China

民国主题电影因为"民国范"思想潮流的影响,超出了单纯的历史叙事,而处在一种文化的、历史的、消费的、艺术的诸多因素交织的场域中,呈现出影像叙事和历史语境对立融合的矛盾张力。在影像叙事和历史语境的两极之间摇摆,民国主题电影出现了"严肃大片""艺术电影""隐喻电影"等不同的表现类型,体现出对"叙事/历史"这一问题不同层面的思考。

Influenced by the trend of“the pattern of the Republic of China”,the film of the Republic of China goes beyond the simple historical narrative,maintaining in the field where culture,history,consumption,art and other factors are intertwined,thus it presents the contradictory tension between the image narrative and the historical context.Swinging between the two aspects,films at that period had different types of themes such as“serious blockbuster”,“art film”and“metaphor film”,reflecting the thinking of different levels on“narrative/history”.