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三代女性的困惑与成长——电影《相爱相亲》的女性主义表达 被引量:2

The Perplexity and Growth of Three Generations of Women——The Feminist Expression in the Movie Love Education
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摘要 《相爱相亲》是女性导演张艾嘉的最新力作。作为一部女性电影,它对女性精神世界的挖掘和探索展现了该影片对女性主体意识的关注和思考。用女性主义电影理论和电影批评学检视该影片的女性主义表达,会发现《相爱相亲》伦理叙事下三代女性的成长轨迹展示了女性的困境以及女性自觉意识的进步。从总体来看,影片采用了平静细腻的电影语言,用一种温和且内敛的方式展现了女性在面对婚姻、家庭和爱情时的困惑与成长。 The film"Love Education",which was released in November 2017,is the latest film work by female director Sylvia Chang.As a film of females,it explores female spiritual world and shows its concern and thinking on the female subject consciousness.Based on the analysis of the film"Love Education",this paper discusses the expression of feminism in the film by feminist film theory and film criticism.The article is divided into three parts:self-taming--the plight of women under the gaze of men,rethinking--mutual recognition of identity and destiny and breaking the shackles--the awakening and reinvention of the female consciousness.From the growth track of three generations of women in the film,we can find the exhibition of female plight and the progress of female consciousness under the ethical narration of"Love Education".On the whole,the film adopts the calm and delicate film language,and shows the perplexity and growth of women in the face of marriage,family and love in a gentle and introverted way.
作者 孙冠军 SUN Guanjun(School of Journalism and Communication,Hebei University,Baoding,Hebei 071002,China)
出处 《广西科技师范学院学报》 2019年第1期49-52,共4页 Journal of Guangxi Science & Technology Normal University
关键词 《相爱相亲》 女性主义 女性电影 Love Education feminism movie of females
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