从“文学自觉”到“文化自觉”的“大文学”观——兼论先秦文学的三大景观

Grand Literature Conception:From Literary Consciousness to Cultural Consciousness——On Three Scenes of Pre-Qin Literature

由"纯文学"覌到"大文学"观的置换,反映了从文学自觉到文化自觉的时代要求。"大文学"观的提出基于对中国古代文史哲兼容的文学特质的确认,而"大文学史"观则是"大文学"观的历史实践形态。本文以"源头与高峰"亦即"轴心期"的春秋战国时代作叙事背景,揭密和展示了以楚辞、《左传》、《庄子》为基因和典范的文、史、哲互涵互动的宏伟景观,以期助推今与古,中与西"大文学"观与"纯文学"观的对话与交流。

The shift from "pure literature" conception to "grand literature" conception reflects requirements of the times for the change from literary consciousness to cultural consciousness.The grand literature conception is based on the confirmation of literary features of the embrace of literature,history and philosophy while the historical view of grand literature is the historical practice form of grand literature conception.The article,with Spring and Autumn and Warring States Period as narrative background,reveals the magnificent view of the interaction of literature,history and philosophy based on The Songs of the South,The Tso Chuan,and Zhuang Tzuin order to promote dialogues and exchanges between today and ancient times,Chinese "grand literature" conception and western "pure literature" conception.