《长祥嫂子》中的“鲁迅况味”——兼及王富仁先生身心间的“鲁迅血脉”

The Lu Xun Flavor in Changxiang's Wife——Also on Mr. Wang Furen's "Lu Xun Blood"

王富仁先生的小说《长祥嫂子》(1980年)有着极为浓烈的"鲁迅况味"。小说在标题,众多的语汇,或隐或显的诸般意向,以及基本的叙事模式上与鲁迅的文本(或杂文或小说)呈现出紧密的、内在的精神联系。特别是,小说直追《祝福》的人道主义内涵、文化"审视—批判"深度,虽叙述温和,却又写出了一种"没有凶手,又人人皆有凶手之份"的深刻的"社会—文化"悲剧。小说还在尤具鲁迅神韵的"归来—离去—再归来—再离去"这一循环性模式间呈现了一代新型知识者与民人悲苦命运之间极具"现实—文化"反思深度的"情感—精神"关联,藉此所引发的知识人精神追问至今意义尤在。

Mr.Wang Furen’s story Changxiang’s Wife(1980)displays a strong flavor of Lu Xun.It is closely related to Lu Xun's text of essays or fictions in terms of title,diction,implicit or explicit intentions,and basic narrative mode.It particularly inherited the humanitarian connotations and cultural critique of“The New-Year’s Sacrifice”,and despite its gentle tone,it is a profound sociocultural tragedy in which all people are murderers.Like Lu Xun’s works,it also presents an emotional and spiritual connection between a new generation of intellectuals and the tragic fate of Chinese people through the circularity departure and return,which is a spiritual inquiry still significant for today.