牛虎铜案造型本体语言特色与视觉审美

Language Features and Visual Aesthetics of Modeling Ontology of the Bronze Sculpture of Ox and Tiger

从造型艺术本体语言及方法形成的角度审视,牛虎铜案体现出形式美、造型美、张力美、设计美、力学美。从设计内容来看,牛虎铜案造型内容、整体构成巧夺天工,搏斗场景与作品中虎的"小与咬"完美融合;作品蕴含丰富情感,母爱情结与悲壮情怀形成强烈对比;作品稳定的造型,具有暗示权力稳固的象征意义。牛虎铜案大牛腹部的"神挖"是造型艺术的神来之笔,牛虎铜案是通往现实与精神的桥梁,其造型具备新意象表现主义方法,体现出鲜明的视觉本体特色。

From the point of view of the formation of the language and method of arts, the Bronze Sculpture of Ox and Tiger reflects the beauty of form, shape, tension, design and mechanics. From the point of view of the designing content, the content of the Bronze Sculpture of Ox and Tiger, the whole composition of the fantastic work, the scene of the struggle and the perfect fusion of the tiger’s “smallness and biting” in the works contains rich emotions, and the maternal love complex and the tragic feelings form a strong contrast; The stable shape of the work has the symbolic meaning which implies the stability of power. The “divine Sculpting” in the belly of the Bronze Sculpture of Ox and Tiger is a masterpiece of formative arts. the Bronze Sculpture is a bridge leading to reality and spirit, and its shape has a new method of image expressionism, which embodies the distinctively visual ontology characteristics.