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贵族化与唯美化——南朝咏物赋略论

Gentrification & Aestheticism:on the Object-chanting Fu in the Southern Dynasties
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摘要 南朝咏物赋无论是数量还是质量都可称为南朝辞赋的代表。虽然南朝咏物赋没有脱离前代咏物赋的传统范畴,但在皇权贵族化文化引领下,咏物赋的社会认知度不断提高,在题材内容上呈现出世俗化、艳情化的特征。在艺术形式上,南朝咏物赋追求骈偶化,创作构思更加精巧,语言修辞注重炼字琢句,进而使咏物赋的美学价值得到进一步凸显,对后世尤其是唐宋咏物赋产生了深远的影响。 Object-chanting Fu both in quantity and quality can be referred to as the representative of prose poems in the Southern Dynasties. Chanting Fu in the Southern Dynasties did not break away from the traditional category in the previous dynasties, but it gained an increasing social awareness under the guidance of the aristocratic culture and presented the characteristics of secularization and eroticism in its subject. In terms of artistic form, the chanting Fu in the Southern Dynasties pursued parallelism and duality, and its creative conception was more elaborate. Language rhetoric emphasized refinement of words and sentences, which further highlighted the aesthetic value of chanting Fu and had a profound impact on later generations, especially on chanting Fu in the Tang and Song Dynasties.
作者 于志鹏 成曙霞 YU Zhi-peng;CHENG Shu-xia(School of Literature and Journalism, Shandong University of Finance and Economics;School of Culture and Communication, Shandong Women’s University, Jinan 250002, China)
出处 《许昌学院学报》 CAS 2019年第1期61-67,共7页 Journal of Xuchang University
基金 2017年山东省社会科学规划研究一般项目"汉魏六朝咏物文学研究"(17CZWJ04)阶段性成果
关键词 南朝 咏物赋 皇权 贵族化 唯美化 Southern Dynasties chanting Fu imperial power gentrification aestheticism
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