论贾平凹小说《极花》的虚实叙事

The Narration of Deficiency and Excess in Jia Pingwa's Ji Hua

贾平凹小说注重写实,一向以密集的细节轰炸著称,并熟练使用以细节描写推动情节发展的表现手法,同时更善于构建小说整体的精神维度。其"精神"首先指人的物质欲望,其次指作品整体的意蕴,且强调以"写实"来彰显小说的"精神"。《极花》是贾平凹这一独特小说技法的又一次操练,他试图兼顾拐卖妇女与农村剩男两个题材,但总体上无显著突破。

Jia Pingwa’s novels focus on realism. They have always been known for bombardment with intensive details. They are proficient in using expressions to promote the development of the plot through detailed descriptions, and at the same time are better at constructing the spiritual dimension of the novel as a whole. Its “spirit” first refers to the material desire of the person, and secondly refers to the overall meaning of the works, and emphasizes revealing the “spirit” of the novel through “realism”. Ji Hua is another exercise of Jia Pingwa’s unique novel technique. He tried to take into account the two themes of trafficking women and rural leftover men, but there was no significant breakthrough in general.