文学语篇的承文性研究——以小说《铸剑》和《三王墓》为例

A Study of Hypertextuality of Literary Texts:Taking the Novels Zhu Jian and San Wang Mu for Example

当前的语言研究呈现出从句子研究到篇章研究再到篇际研究之势,强调篇章与篇章之间存在着动态联系的"互文性"理论正显示出强大的生命力和解释力。基于这种分析,本文首先介绍了克里斯蒂娃的"互文性"理论(也即"广义互文"),以及热拉尔·热奈特"跨文本性"概念中的"狭义互文"理论。针对当前作为五种"跨文本类型"之一的"承文性"理论研究成果不足的现状,本文将承文性概念引入文学语篇研究领域,以晋代干宝的志怪小说集《搜神记》中的《三王墓》和鲁迅改编自《三王墓》的小说《铸剑》为例,从小说的人物设置、叙事结构、环境描写出发,深入探讨了从前文本《三王墓》到承文本《铸剑》的派生类型、生成方式以及派生意图。

Current linguistic studies have shown a shift from the study of sentence to discourse and then to intertextuality.The intertextuality theory,which emphasizes the dynamic relationship between text and text,is showing great vitality and explanatory power now.Based on these analysis,this paper firstly introduces the Kristeva’s intertextuality theory the Broad Sense of Intertextual,and the Narrow Intertextuality which is in the Gerard Genette’s concept of“transtextuality”.In view of the insufficiency of the research results of“Hypertextuality”which is one of the five“transtextual”types,this paper introduced the concept“Hypertextuality”into the field of literary discourse research first,and then taking the novels San Wang Mu,which is in the Gan Bao’s collection of mystery novels Sou Shen Ji,in the Jin Dynasty and Zhu Jian which is adapted from San Wang Mu by Lu Xun as examples,and starting from the characters,plots and environment of the novel,this paper probes into the derivative types,modes of formation and the author’s intention of the former text San Wang Mu and the hypertext Zhu Jian.