皎然“游戏”之心影响下的中晚唐佛寺戏题诗

Poems for Pleasure in Buddhist Temples in the Middle and Late Tang Dynasty under the Influence of the Pleasant Creative Attitude of Jiao Ran

戏题诗肇自南朝齐梁,逮至盛唐达到顶峰。中唐著名诗人皎然承接前朝佛寺戏题诗传统,以"游戏"之心为创作主旨,提倡创作需"俗"与"中和"融合,推崇本真豁达的心境,以佛理渗透日常生活的方式对佛寺戏题诗诗风进行发展。在这一诗风影响下,唐德宗贞元年后诗人从诗学理论、创作宗旨和"以禅入诗"3方面继承皎然戏题诗的创作理论。此后,佛教视阈下以"戏"为主题的诗歌创作队伍日益壮大,使得用轻松愉悦心态创作出的消遣文学成为后世雅文学向俗文学转化的影响因素之一。

Jiao Ran in the Middle Tang Dynasty inherits the tradition of poems for pleasure and takes a pleasant creative attitude.He advocates the combination of vulgarity and neutrality and values a genuine and open mind.Under his influence,poets in the Late Tang Dynasty create poems for pleasure from the aspects of poetic theory,creative purpose and the poetic style of adding Buddhist ideas to poems.Later,more and more poems take“pleasure”as the theme of creation and the recreational literature created with a pleasant attitude becomes one of the influencing factors of the transition from the elegant literature to the vulgar literature.