摘要
本文的考察对象是西山万寿宫庙会音声实践的类型及其功能。浩浩荡荡的进香队伍及其音声实践是庙会期间最独特的景观,他们在宫观内的群体活动始终伴随各种音声实践:表达许逊崇拜的绕宫"拜神"音声;替他们表达诉求的道士"通神"音声;彼此交流、强化凝聚力与认同感的"娱人"音声。各种活动情景中的不同音声实践,不仅营造出不同的声响效果,形塑出属性各异的空间形态,还隐含了信众的多元音声观念、信仰表达方式以及庙会"狂欢"精神。
The paper mainly studied the sound practice’types and function in Wanshou Temple’Fair at Xishan Mountain.The pilgrimage teams and its sound practice were the most unique spectacle,various sound practice was always with their group acticity:those expressed their faith in XuXun by around the palace;those expressed their appeal by the rite of divine connection;those interacted with each other and consolidated cohesion.The different sound practice in various scene not onle made different acoustics and multiple spaces,but also implicated multivariant sound conception,belief ecpression and spirit of carnival.
作者
谢芳
Xie Fang(Collge of Humanities and Arts,Nanchang Institute of Technology,Nanchang Jiangxi,330098)
出处
《地方文化研究》
2018年第6期34-41,共8页
Local Culture Research
基金
2015年度江西省高校人文社会科学研究青年基金项目(项目编号:YS1563)
2016年度江西省社会科学规划青年基金项目(项目编号:16YS31)的阶段性研究成果
关键词
许逊崇拜
西山万寿宫庙会
进香队伍
音声观念
信仰表达
狂欢精神
Worship of XuXun
Wanshou Temple's Fair at Xishan Mountain
Pilgrimage teams
Conception of Sound
Belief expression
Spirit of Carnival