斯坦尼斯拉夫斯基与梅耶荷德的分歧与论争(一)——从莫斯科艺术剧院初创到十月革命

The Disagreements and Debates between Stanislavski and Meierkholid:From the Creation of Moscow Art Theaters to the October Revolution

斯坦尼斯拉夫斯基与梅耶荷德无疑是20世纪俄罗斯贡献最大、影响最广的戏剧导演,他们各自创办了自己的剧院和表导演艺术体系。然而,对于两位大师之间分歧、对立、论争的持久性、严重性和影响的深远,我们至今缺乏了解;另一方面,对上述两位大师之间的共同之处,对他们最终携手合作的必然性同样认识不足。鉴于刊物篇幅的限制,本文首先介绍从莫斯科艺术创办到十月革命期间两位大师分歧的形成与发展,并以连载的方式加以评介。

It is no doubt that Stanislavski and Meierkholid are the most far-reaching directors who made the greatest contribution to Russia's drama development in the 20th century. Both of them set up their own theaters and developed their own art system concerning performing and directing. However, until now, we have not gained a deeper understanding about the long lasting, serious and far-reaching effect of their disagreements and debates. Furthermore, we also lack sufficient understandings about what they have in common and the necessity of their conducting cooperation finally. Due to the space limitation, this paper will first of all make an introduction about how their disagreements arose and developed during the period of from the creation of Moscow art theaters to the October Revolution, then making reviewing and commenting in a serializing way.