论明代徽州的文学复古思潮

Research On the Retro Thoughts of Huizhou Literature in the Ming Dynasty

伴随着徽商的崛起和七子派文学思想的传入,长期闭塞保守的徽州区域于嘉靖、万历、崇祯朝掀起三次文学复古浪潮。它们虽是席卷全国、浩荡持久的前后七子派和复社、几社文学复古运动的余响和尾声,徽州文人却能借势发力,在修正完善复古理论、扩大复古影响方面做出了重要贡献,也迎来本土文学的盛世。由于主将汪道昆离世和政局恶化,盛行百年的明代徽州文学复古思潮于万历后期逐渐衰微,骨干成员思想转向呈多元化态势。明代徽州文学复古思潮的盛衰消长鲜明地折射出时代文艺思潮的演变与转向轨迹,在区域文化史和明代文学史上具有重要地位。

With the rise of Huizhou merchants and the incoming of the literary thoughts of School of Seven Scholars,the long-term conservative Huizhou region witnessed three literary retro thoughts in Jiajing,Wanli and Chongzhen periods.Although they were reverberation and end of the nationwide and lasting literary retro movement of the School of Seven Scholars,Fushe and Jishe,the Huizhou literati made an important contribution to correcting and perfecting the retro theory and expanding the retro influence,and promoted the prosperity of local literature.Due to the Wang Daokun′s death and deterioration of political situation,the retro-style thoughts of the Huizhou literature in the Ming Dynasty that flourished for centuries gradually weakened in the late Wanli period,and the majority of members turned their minds into diversified tendencies.The rise and fall of the retro thoughts of Huizhou literature in the Ming Dynasty reflects the evolution and turning trajectory of the literary trend of the times,and plays an important role in the history of regional culture and the history of literature in the Ming Dynasty.