1Jacques Lacan, The Seminar of Jacques Lacan, Book I : Freud's Papers on Technique 1953-1954, ed. Jacques-Ahin Miller, trans. John Forrester, Cambridge: Cambridge University Press, 1988, p. 215.
2莫里斯·梅洛-庞蒂.《可见的与不可见的》,罗国祥译,商务印书馆2008年版,第20-21页.
3Jacques Lacan, The Seminar of Jacques Lacan, Book XI: The Four Fundamental Concepts of Psycho-analysis, ed. Jacques-Alain Miller, tram. Alan Sheridan, London: Hogarth Press and the Institute of Psychoanalysis, 1977, p. 72, p. 73, pp. 178-179, p. 74, p. 74, p. 106, p. 74, p. 74, p. 75, p. 83, p. 75, p. 84, p. 92, p. 73, p. 93, p. 77, p. 95, pp. 96-97, pp. 102-103, p. 103, pp. 111-112.
5Patrick White, The Solid Mandala, London: Jonathan Cape, 1976, p. 315, p. 267.
6Patrick White, Flaws in the Glass : A Self Portrait, Harmondsworth : Penguin, 1983, e1981, pp. 146-7.
7David Mart, Patrick White: A Life, Milsons Point, N. S. W: Random House, 1991, p. 449.
8Patrick White, The Solid Mandala, London: Jonathan Cape, 1976, p. 48, p. 209.
9Thelma Herring, "Self and Shadow:The Quest for Totality in The Selid-Mandala", G. A. Wilkes ed., Ten Essays on Patrick White, London : Angus and Robertson Publishers, 1970, p. 73.
10Frederick Frank, The First Gothics : A Critical Guide to the English Gothic Novel, New York : Garland Publishing, 1987, p. 435.
