同源与异构——扬州和苏州刺绣艺术特色之比较

Same orientation and different developing path: comparison in artistic characteristics between Yangzhou embroidery and Suzhou embroidery

同属江苏的扬州和苏州自古就有着深厚的历史渊源,在地理文化、语言演变等背景上有着诸多相似之处,都是江南婉约文化的典型代表。尤其是两地刺绣曾属于同一流派,师承共同的针法及绣品种类,常被混为一谈,亟需对其异同进行解构。文章运用动态分析和静态比较相结合的方法,将扬苏两地刺绣置于历史演进过程中,探究其各自风格、题材、针法及表现方法的特点,分析各自发展轨迹的差异,并透过表象剖析其地域、经济、文人情愫之不同及根源,这对研究江苏刺绣不同流派的地域特色及其他"非遗"项目甄别保护具有一定借鉴意义。

Yangzhou and Suzhou,belonging to Jiangsu,have a profound historical origin since ancient times,and have many similarities in the context of geography,culture,and language evolution.They both are typical representatives of Jiangnan graceful culture.In particular,Yangzhou embroidery and Suzhou embroidery once belonged to the same genre,were of the succession of common needlework and varieties,and are often confused.It is necessary to analyze the similarities and differences between them.This study,by combining dynamic analysis with static comparison and putting Yangzhou embroidery and Suzhou embroidery in the historical evolution process,explores the characteristics of their respective style,theme,needlework,and performance method,and analyzes the differences in their respective development trajectories and the differences and origin of region,economy,literati feelings.This is of certain reference significance to studying geographical characteristics of various schools of embroidery in Jiangsu and discrimination and protection of other“non-legacy”projects.