论莫言小说的“匪性”书写

On Writing of Banditry in Mo Yan's Novels

莫言摒弃了传统文学对"匪"的丑化,在其作品中淋漓尽致地展现了"匪"的蓬勃野性与激进精神,整体上表现为食与色的交织。其塑造的男子形象兼具英雄与浪子气质,女子形象以圣母与荡妇交织的方式呈现,孩童形象潜藏匪气、半是精灵半是孽障。莫言小说的这种"匪性"书写与齐鲁大地神秘浪漫的文学传统及民间聚义、揭竿而起的历史传统之间存在着密切的联系,同时也是莫言的创作个性在20世纪80年代文学寻根中的集中展示。

Mo Yan abandoned the vilification of"bandits"in traditional literature,and vividly displayed the vigorous and radical spirit of"bandits"in his works.On the whole,it manifested the interweaving of food and sex.The image of a man is both heroic and prodigal.The image of a woman is presented in the way of the interweaving of a virgin mother and a slut.The image of a child hides banditry,half elves and half evils.This kind of"banditry"writing of Mo Yan's novels is closely related to the mysterious and romantic literary tradition of Shandong Province and the historical tradition of folk gathering and uncovering poles.At the same time,it is also a concentrated demonstration of Mo Yan's creative personality in the"literature seeking roots"in the 1980s.