摘要
英国当代作家伊恩·麦克尤恩在迄今40余年的创作历程中一直关注当代社会历史文化语境下个人创伤的动因回溯。其笔下的创伤情境涉及个人性心理、亲伦关系、历史战争及"9·11"恐怖袭击后的群体创伤困厄,带有鲜明的"泛创伤性"文化症候。本文拟在文化创伤学视阈下考察麦克尤恩多年来的创伤书写路径,揭示个体创伤是如何在家庭、社会及历史的文化规训下呈现出多重显影,从而探究麦克尤恩对当下人类生存困境的反思和对人类心理创伤难以平复的哀悯。
The British contemporary writer Ian McEwan is concerned with the tracing of the origin of the personal trauma in the socio-historical and cultural context.The trauma delineation refers to sexual trauma,familial relation,war trauma and the collective horror after the“9·11”terrorist attack,from which emerges the typical“traumatological”cultural syndrome.This paper tends to scrutinize the progression of McEwan's trauma writing under the perspective of cultural trauma-tology,to expose how personal traumatic experience gets enlarged and envisioned under the multiple impacts from family,society and history,and further disclose McEwan's retrospection of human beings'living dilemma and sympathy for the unrelieved psychological trauma.
作者
黄一畅
HUANG Yichang(College of Foreign Languages,Nanjing University of Aeronautics and Astronautics,Nanjing 210026,China)
出处
《外文研究》
2018年第4期22-27,104,共7页
Foreign Studies
基金
2016年教育部人文社会科学青年基金项目“伊恩·麦克尤恩的当代历史文化创伤书写研究”(16YJC752009)
