“跨国电影研究”争论的再观察——兼论改革开放四十年重构中国电影历史整体性的现实意义

Re-observation of the Discussion on “Transnational Film Research”:On the Realistic Meaning of Reconstructing the Integrity of Chinese Film History in the Past Forty Years of Reform and Opening

2014年关于"跨国电影研究"的讨论以各方均未达成实质性的共识而告终。事实上,在"人类命运共同体"以及世界电影的"整体框架"的视域下,中国电影应尝试超越跨国范式和国族范式的二元对立,在更高层面进行新的综合,搭建一个广泛的、有效的对话平台,在观照以国族意识为主体的宏观表述同时,充分兼顾到全球语境下的多地电影文化景观,在"文化向心"和"内外兼修"之间不断推动中国电影走向进步与成熟。

The discussion on“transnational film research”ended with no substantive consensus in 2014.Actually,under the vision of“community of shared future for mankind”and the“overall framework”of the world films,Chinese film should try to transcend the binary opposition between“transnational paradigm”and“national paradigm”,implement a new integration at a higher level and build a broad and effective dialogue platform.In view of the macroscopic expression of the national consciousness as the subject,the film culture landscape in multiple places is fully taken into account in a global context.Thus Chines film can be continuously promoted to progress and maturity between“cultural orientation”and“internal and external cultivation”.