论后期京派的“严肃”文学观

On “Serious” View of Literature of the Later Beijing School

尽管"京海论争"早已偏离了沈从文发表《文学者的态度》一文的初衷,成为一场沈从文被迫与上海非"海派"文人围绕何为"京派""海派"的"精巧的对骂",但后期京派的"严肃"文学观却在这一论争过程中得以集中显现。后期京派作家继而在"严肃"二字的指引下,从理论、创作、批评方面建构出了一个美的"乌托邦"世界。从"趣味"到"严肃"的美学转变不仅是京派文学文化立场的一次"位移",更表现出新一代京派作家将中国文学纳入现代文学和现代美学观念体系的自觉意识。后期京派的"严肃"文学观在今天看来虽具有一定的局限性,但针对当下"娱乐化""盈利式"的创作现象,依然有不可否定的意义和价值。

“Jing-Hai”dispute deviated from the original purpose of SHEN Congwen’s article“the attitude of the writer”.It also became a“delicate match”in which SHEN Congwen was forced to argue with the writers who lived in Shanghai about what was the“Beijing school”and what was the“Shanghai school”.The controversy process showed the“serious”literary view of the later Beijing school centrally.From theory to creation and criticism,the later Beijing school finally constructed a beautiful utopia world through unremitting efforts under the guidance of“seriousness”.The transformation of aesthetic principles from“interest”to“seriousness”is a“displacement”of the cultural standpoint of the Beijing school,shows the consciousness of a new generation of Beijing school writers,and makes Chinese literature consciously accept the concept system of modern literature and modern aesthetics.Although the“serious”literary view of the later Beijing school has some limitations,it still has its valuable significance and value for the current“entertaining”and“profitable”creation phenomenon.