民国“无名艺术史研究”之滥觞:中外学者的汉唐陵墓考察著述论略

The Origin of the “Study of Anonymous Art History” in the Republic of China: A brief comment on the investigation works of mausoleums of Han and Tang Dynasties by Chinese and foreign scholars

在中国艺术史学的现代转型中,由学科之分类细化所应运而生的"无名艺术史"研究在民国具有重要的学科体系建构意义和方法论反思价值。本文从中外学者(足立喜六、色伽兰、朱偰、王子云)对汉唐陵墓田野调查的著述中,剖析古代陵墓的田野研究对无名艺术史研究草创期而言,在研究范畴、理论与方法、史学体系建构方面的学术贡献,为民国的无名艺术史研究找寻更多的实践案例,以期完善中国艺术史学理论体系。

In the modern transformation of Chinese art history,the study of"Anonymous Art History"which emerged from the classification and refinement of disciplines has important significance in the construction of the discipline system and the value of methodological reflection in the Republic of China.In this paper,from the writings of Chinese and foreign scholars(Adachi Kiroku,V.Segalen,Zhu Xie and Wang Ziyun)on the field investigation of tombs in Han and Tang Dynasties,the author analyses the academic contribution of field studies of ancient tombs to the study of anonymous art history in its initial period on research category,theory and method,and construction of history system,and finds more practical cases for the study of anonymous Art history in the Republic of China,in order to improve the theoretical system of Chinese art history.