重写台湾文学史中的“南方问题”

The “Southern Question”in Rewriting Taiwan's Literary History

无论是作为一个批判性位置,还是作为一种批判方法与艺术表征符号,"南方"已成为当代台湾人文知识界一个不可忽视的重要问题。葛兰西的"南方问题"论构成了当代台湾"南方"论述与想象的重要资源,并逐渐与当代台湾诸种阐释实践紧密接合。"南方"与"南方诗学"的提出对重写台湾文学史具有积极意义:一方面形成了重写台湾文学史的"南方"视角与批判方法,打开了阐释台湾文学问题的新空间;另一方面重新确认了台湾文学在中国文学地理版图中的位置,将台湾文学重置于中国文学的历史流变的框架之中。但是,当前的"南方"论述也存在种种思想局限乃至错误,逐渐演变为一种"本土主义"观念,需要予以批判性审视。

Whether as a critical position or as a critical method and artistic symbolic sign,the“south”has become an important issue that cannot be ignored in the contemporary Taiwan's humanities and intellectual circles.Gramsci's theory of“southern question”constitutes an important resource for contemporary Taiwan's“southern”discourse and imagination and has gradually been linked closely with various interpretation practices in contemporary Taiwan.The proposal of the“south”and“southern poetics”has positive significance for rewriting Taiwan's literary history:on the one hand,it forms the“southern”perspective and critical method of rewriting Taiwan's literary history,opening up a new space for the interpretation of the problems in Taiwan's literature;on the other hand,it reaffirms the position of Taiwan's literature in the geographical map of Chinese literature and brings Taiwan's literature back to the framework of historical evolution of Chinese literature.However,the current“southern”discourse has a variety of ideological limitations and errors and has gradually evolved into a concept of“nativism”,which needs to be critically examined.