建国后《女神》的文学史阐释与现代新诗发展脉络的重构

The Interpretation of the Literary History of The Goddess after the Founding of the People's Republic of China and the Reconstruction of the Development of Modern New Poetry

中华人民共和国成立后,《女神》在中国现代文学史著作书写中的再阐释及经典化历程,也就是重新认识和构建中国现代新诗发展脉络的过程。相关的阐释与评价存在一个不断开掘深化的过程,有一个从简单粗暴到相对圆融的发展轨迹。从1950年代到1990年代,现代文学史书写中《女神》的经典化主要表现为对其"第一"的强调及相关阐释。与此同时,文学史著作对《女神》在诗歌形式方面的阐释,经历了一个由隐到显、从有限肯定到全面肯定的发展过程,直至进入21世纪后取代了"第一部"的评价问题而成为重新确认《女神》经典性的重要支撑点。

After the founding of the People’s Republic of China,the reinterpretation and canonization of The Goddess in the writing of modern Chinese literary history is the process of re-recognizing and constructing the development thread of modern Chinese new poetry,for there has been a process of deepening the relevant interpretation and evaluation as well as a development trajectory from the simple and rough to the relatively complete.And from the 1950s to the 1990s,the canonization of The Goddess in the writing of modern literary history was mainly manifested in the emphasis on its“first”and the relevant interpretation.At the same time,the interpretation of The Goddess in the form of poetry in literary history works has gone through a process of development from the implicit to the explicit and from limited affirmation to comprehensive affirmation,until it has replaced the evaluation of the first book and become an important brace for re-affirming the canonization of The Goddess in the 21 st century.