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刘勰《文心雕龙》对经、纬、文之间的关系,有精辟论述。从《春秋》三传的"精理为文",到《春秋纬》的"理隐文贵","经""纬"相错"成文"的演变较为明显。"经"与"纬"的"隐义藏用"的文章特征,其实在经、史、子书中皆有不同程度的体现,具备了一定的"文学性"。