摘要
由电影史学实践出发,其研究的价值和意义被彰显。概观全局,随之而来的问题更多。电影通史研究和电影史创新追求相联系。电影通史研究怎么才能创新,与思潮、文化、体制和观念有关,也与对电影历史进行普遍的概括及电影历史本身的复杂性有关。中国电影通史的写作,要走传承、创新的路径,重视电影研究的学理性、学科性建构和历史学的实证性,走向历史和逻辑的统一。
The value and significances of the research will be manifested in the practice of film history.In the perspective of the whole,more questions will follow.The study of film history is related to the pursuit of innovation in film history.How film history can innovate relates to not only idea,culture,character and concept but also to the generalization of film history as well as the complexity of the film history itself.The writing of Chinese film history should take the path of inheritance and innovation,should emphasize the theory of film studies,the evidence of disciplinary construction and history,and,should march to the unity of history and logic.
作者
丁亚平
Ding Yaping(Research Institute of Film and TV Arts,China National Academy of Arts,Beijing,100029.)
出处
《民族艺术研究》
CSSCI
2019年第1期90-97,共8页
Ethnic Art Studies
关键词
传统
创新
电影通史
限度性
第三重空间
tradition
innovation
film history
limitation
the third space